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The Richard Burton Company’s In Camera Season

19 January 2021

Filed Under:

Acting
Production and Design

Drama training and performance relies so much on being together and responding to each other in a physical space – so how do we do that and share students’ work with our audiences when we can’t yet open our doors to the public?

The Moors, directed by Patricia Logue

‘The Moors,’ directed by Patricia Logue

Because the College is a place of training we’ve been able to continue creating theatre (within Covid guidelines) when all of the venues in Wales are still dark (we have special permission from Welsh Government to do this).

During the Christmas countdown we presented five plays, brought together by our teams of student actors, stage managers, designers, scenic artists, constructors and costume designers, supported and supervised by our staff.

Director Nicholai La Barrie in rehearsal for ‘Statements After An Arrest…’

RWCMD’s first In Camera season, shot in differing styles including an NT Live style multi camera format, features Twelfth Night Remembered, based on Shakespeare’s Twelfth Night, Statements After an Arrest Under the Immorality Act and The Moors. They were all performed last term, under strict Covid conditions.

These three plays will be available to watch online from Tuesday 19 January.

Two other plays featuring the MA actors, (In the Blood, written by Suzan-Lori Parks, directed by Lekan Lawal and Yen by Anna Jordan, directed by Zoë Waterman), and the annual Musical Theatre Christmas Cabaret, will be shared with the industry.

Twelfth Night Remembered, directed by Jonathan Munby

‘Twelfth Night Remembered,’ directed by Jonathan Munby

Creating Productions During Lockdown 

‘We have a responsibility to our students to provide the best opportunities we can and give them as much exposure to the industry as possible,’ said Jonathan Munby, Director of Drama Performance, who directed Twelfth Night Remembered.

‘Filming and streaming the work means that we’ll be able to reach a far wider audience than we normally would be able to, as well as providing the students with a professional experience in line with current industry practice’

‘Twelfth Night Remembered,’ directed by Jonathan Munby

‘There’s no question that working in a pandemic is difficult. Keeping social distancing at all times, on and off stage, makes the creative process incredibly challenging.

But we are finding creative ways of overcoming these problems. It’s been a Herculean effort by all involved, to keep everyone safe and well, as well as maintaining the integrity of the work.’

The Challenges of Filming a Theatre Production 

Nicholai La Barrie, Artistic Associate of the Lyric Hammersmith Theatre, directed Statements After an Arrest Under the Immorality Act:

‘The biggest challenge by far making a play under COVID guidelines is to ensure that, with a cast that is socially distanced on stage, we tell a compelling story and the audience feels they’re connected to the characters.’

Statements, directed by Nicholai La Barrie

‘Statements After An Arrrest…’ directed by Nicholai La Barrie

‘Everything I know about directing a play has gone out of the window. This play is challenging anyway -with the emotional intensity and challenge of the writing, it’s very different in each act, almost like three different plays. It’s very demanding of the actors but luckily they’re exceptional actors and can respond to this.’

Statements: An Important Play Reflecting Our Times

Talking about the play itself Nicholai commented: ‘Statements is important because while it was written nearly 50 years ago, it still speaks to the moment that we are living in. There are pure things like hope and love that are broken for these characters, things that they have no control over.’

'Statements After An Arrest...'

‘Statements After An Arrest…’

‘I think this play asks us – what is our morality, what do we believe in, and how would we fight for those things. It asks us to reflect on our own lives and chose what is important to us. It does that rare thing, that I think plays do so much better than any other medium, it gives us time to think, reflect and consider.’

The Moors: A UK Premiere

‘We’re very excited to be producing the UK premiere of The Moors and audiences need to see it because it is not what one expects!’ said director Patricia Logue.

‘Taking the tropes of Victorian gothic storytelling as its launch – melodrama, societal ills, romanticism, lurking eroticism and the treatment of women in those societies – it offers a fresh contemporary spin, where we witness women’s possibilities when truly liberated from patriarchal domination.’

'The Moors'

‘The Moors’

‘These women are fighting for power and visibility in a sometimes brutal, lusty and deranged way. It is haunting, chilling at times, but also raunchy, a bit surreal and very funny. ‘

Two other plays featuring the MA actors, (In the Blood, written by Suzan-Lori Parks, directed by Lekan Lawal and Yen by Anna Jordan, directed by Zoë Waterman), and the annual Musical Theatre Christmas Cabaret, will be shared with the industry.

View Online from Tuesday 19 January 2021

The Moors by Jen Silverman, directed by Patricia Logue

Online premiere: Tuesday 19 January at 7.30pm
Available until Sunday 24 January
Tickets: £5

 

 

 

Statements After an Arrest Under the Immorality Act by Athol Fugard, directed by Nicholai La Barrie Online premiere: Thursday 21 January at 7.30pm
Available until Tuesday 26 January
Tickets: £5

Twelfth Night Remembered, based on William Shakespeare’s Twelfth Night, directed by Jonathan Munby

Online premiere: Saturday 23 January at 7.30pm
Available until Sunday 31 January
Tickets: £5

 

 

 

 

 

For tickets and further information, visit www.rwcmd.ac.uk

Featured image from Statements After an Arrest Under the Immorality Act

Photo Credit: Kirsten McTernan

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